Cocteau Twins / Blue Bell Knoll
Artist Cocteau Twins
Album Title: Blue Bell Knoll
Album Cover:
Primary Genre Alternative & Punk: Ambient/Dream Pop
Format CD
Released 09/19/1988
Label 4AD/Capitol Records
Catalog No CDP 7 90892 2
Bar Code No 0 7777-90892-2 2
Packaging Jewelcase
Tracks
1. Blue Bell Knoll (3:25)
2. Athol-Brose (2:59)
3. Carolyn's Fingers (3:08)
4. For Phoebe Still A Baby (3:16)
5. The Itchy Glowbo Blow (3:20)
6. Cico Buff (3:49)
7. Suckling The Mender (3:36)
8. Spooning Good Singing Gum (3:52)
9. A Kissed Out Red Floatboat (4:10)
10. Ella Megalast Burls Forever (3:38)
Date Acquired 01/01/1990
Personal Rating
Acquired from Down In The Valley
Purchase Price 14.00

Web Links

All Music Guide Entry
Discogs Entry:
MusicBrainz Entry:
Wikipedia Entry:

Notes

Notes:
This release has a disc which does not mention any companies besides CAPITOL JAX in the matrix. Another pressing, Blue Bell Knoll, mentions JVC.
Info on disc:
Manufactured by Capitol Records, Inc.
Made in U.S.A.
℗1988 4.A.D. under exclusive licence to Capitol Records, Inc. ©1988 4.A.D.
American Momentum Music — BMI

Credits:
Photography By – Juergen Teller
Sleeve – Jeremy Tilston, Paul West
Written-By, Producer – Cocteau Twins

Companies, Etc.:
Phonographic Copyright ℗ – 4AD
Copyright © – 4AD
Manufactured By – Capitol Records, Inc.
Licensed To – Capitol Records, Inc.
Licensed From – 4AD
Published By – American Momentum Music
Pressed By – Capitol Jax

Barcode and other Identifiers:
Barcode (Scanned): 077779089222
Barcode (Text): 0 7777-90892-2 2
Other (DADC Code): didx 3672
Rights Society: BMI
Matrix / Runout (Variant 1, Mirrored): 90892 4-1-4 CAPITOL JAX 4 D
Matrix / Runout (Variant 2, Mirrored): 90892 4 1 A 2 CAPITOL JAX 1D
Matrix / Runout (Variant 3): 90892 4-1-1 CAPITOL JAX 2 D
Matrix / Runout (Variant 4, Mirrored): 90892 4-1-3 CAPITOL JAX 3 D

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Analyzed Folder: Cocteau Twins - Blue Bell Knoll_dr.txt
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DR        Peak           RMS     Filename         
----------------------------------------------------------------------------------------------
DR12   +0.00 dB   -13.68 dB  01 - Blue Bell Knoll.aif      
DR13   +0.00 dB   -14.34 dB  02 - Athol‐Brose.aif    
DR11    -0.47 dB   -13.29 dB  03 - Carolyn's Fingers.aif    
DR11    -0.65 dB   -14.03 dB  04 - For Phoebe Still A Baby.aif
DR11    -1.35 dB   -13.81 dB  05 - The Itchy Glowbo Blow.aif
DR12    -0.28 dB   -13.59 dB  06 - Cico Buff.aif        
DR11    -0.10 dB   -14.18 dB  07 - Suckling The Mender.aif  
DR12    -0.05 dB   -13.84 dB  08 - Spooning Good Singing Gum.aif
DR11    -1.51 dB   -14.17 dB  09 - A Kissed Out Red Floatboat.aif
DR13    -0.30 dB   -14.98 dB  10 - Ella Megalast Burls Forever.aif
----------------------------------------------------------------------------------------------
Number of Files: 10
Official DR Value: DR12
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Reviews
All Music Guide Review by Ned Raggett:

The first Cocteaus album to feature a full-band lineup since Treasure was also their first full studio record released in America, resulting from the group's stateside deal with Capitol. Much to longtime fans' surprise, the Twins in fact were much more content with Capitol than 4AD, hinting at their eventual full departure from that label. This was all well and good, but the trio's new inspiration didn't fully translate into their work, unfortunately. While Blue Bell Knoll has some striking moments that are pure Cocteaus at their best -- the opening title track is especially lovely with a keyboard loop leading into Fraser's ever-wonderful vocals, a light rhythm, and a great final Guthrie solo -- it's still the band's least noteworthy release since Garlands. The feeling throughout is of a group interested in dressing up older approaches that have served them well, but aren't as distinct; the quite-lush arrangements by Guthrie are fine but the songs are a touch more pedestrian. Blue Bell Knoll has enough initial steam, however, to ensure that there are reasons to listen, happily. "Athol-Brose" has the inspirational feel that the Twins can easily create. "Carolyn's Fingers," the clear album standout, is perhaps the strongest individual Cocteau song since "Aikea-Guinea," with Fraser singing against herself over a rough, hip-hop-inspired rhythm while Guthrie peels off a fantastic main guitar melody and Raymonde contributes some supple bass work. After that amazing opening, things slowly but surely slide back a bit; most of the rest sounds okay enough to listen to, but the heartgripping intensity that defines the Twins at their best isn't present.

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